A revival house movie owner is in debt up to his eyeballs. He tries to earn money by acquiring a variety of movie memorabilia for collectors. His latest client wants him to find La Fin Absolute du Monde/The Absolute End of the World. A movie that, when screened, caused it's audience to rise up in a murderous riot. One that has some connection to a person who seems to be an angel with his wings cut off.
"Masters of Horror" is a Showtime's series. Each episode is a short movie filmed by an acknowledged Master of Horror. I have seen exactly one episode so far, though I have taped several. Don't ask me why that is; it just is.
"Cigarette Burns" is John Carpenter's entry in the series, although you really couldn't tell by watching it. The score is Carpenteresque, but everything else seems workman-like, as if his heart wasn't into it. Most strange, but that's not too much of a problem. Carpenter at his worst is still worth watching.
The real problem is with the story itself. Now I adore the premise to death and I will honestly say I grooved through the show. Two good jumps and a few serious squeamish moments with some of the gore. Thought about recommending it to my dad. It was only later, after I thought about it for a while, that I started to have problems with the show.
We'll do this by point. I'll try not to go into too much spoilers, but some can't be helped.
- One of the biggest flaws of the episode is that we see some of La Fin... Nice long sequences. And for a film that is supposed to inspire riots and madness... It just doesn't. Now granted there is a real and definite reason why the film does what it does, I think never seeing the movie would have been ever so much better.
- There is a mention, early in the episode, of the client allowing the protagonist to show the film at his theater. I had expected that would be where the episode was headed. Instead, it ends with a confrontation between the protagonist and a character seen only twice before and, as far as I could see, no reason for anyone to care about his fate one way or another.
- It never really answers the question: why was La Fin... made. Oh, it tells why the director wanted to make it, but it hints at a greater evil backing the project. Why do they (he?) do this? Not to show the film, by all appearances. It all seems so... lackadaisical. Especially for such a destructive film.
- There is a certain sense that this is was a larger script paired down to fit the format. Which might explain the end.
- Much is made about how La Fin... changes the seeker. And yet the protagonist doesn't seem that different from beginning to end.
2 comments:
And for a film that is supposed to inspire riots and madness... It just doesn't.
Had the movie-within-the-show been an animated film with Muhammed in it...well...
Please. All they had to do was show "Santa and the Ice Cream Bunny" and be done with it.
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